Author: sue boardman

It’s 4:15 am, in the midst of the 30 Days of Writing challenge I joined and the very early days of blog writing. I’m curled up in one of my quilts, sipping tea and scribbling recipes. Recipes which are not, by the way, related to the writing prompt for whichever day this is! It’s worth pondering why.

When my first granddaughter was born, just before I turned 50, I noticed a surprising thing. In the midst of making baby quilts and packing glass baby bottles for the trip across the pond, I began to get an inkling that things were changing inside me. Suddenly, things that had been sort of philosophically important to me for years began to seem more urgent. This tiny person, this wee image of my son, this huge new spark of love in my heart had to grow up in this world. And if we’re honest, this world could use some work!

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While much of America is buried under a thick blanket of snow, here it Atlanta it’s wake up every day and find out if it’s winter or spring time! I prefer spring, myself, and spring it has been for a couple of days. Sunny. And still quite cold for shopping in parking lots!

Most of our local farmers’ markets are closed for the winter. One intrepid farmer, however, runs a pre-ordered delivery service. This system would have amazed Elsie, my farm grandmother.

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Take a deep breath, please. That’s right. And another. Now, allow yourself, in whatever way is comfortable for you, to be led into that imaginal space where each path leads to many layers of meaning.

Perhaps, as you walk along, you can feel the sun on your face, and the dust between your toes, even as you notice a quilt, tattered at the edges, and faded just a bit, drying on a split rail fence. Bits and pieces of calico and homespun cloth, cut and pieced just so, form patterns as old as the ages.

Oddly, quilts can form maps of the future as well, for, as the story goes, they were used as signposts on the Underground Railroad. Signposts on the road to freedom.

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This one was a challenge! Another move, and another big girl quilt, twin sized. Taylor wanted pink. Mama said pink and purple. I like polka dots. I learned a lot!

One night I got online and started buying up juvenile-type pinky prints. Also lots of dots. Then the box came. The next morning I was off to Intown Quilters. I needed help!

I walked into the store, past the register, into the second room, and literally almost tripped over the fabric that turned out to be the focus fabric for this quilt. And, immediately, I knew the perfect pattern. Back to the “Geese in the Fields” block by Carolyn Griffin I had re-worked for my Liberated Wild Geese quilt.

Then things got exciting! I was busy laying out the pieces on my homemade “design wall” which is simply a flannel sheet cut to fit, hung through the top hem on a broomstick that fits perfectly on top of my fabric cupboard. Enter Sarah, our Newfoundland rescue, who had been with us just two days. She wanted to be by me so laid down just at the bottom of my flannel sheet, rolled over, and pulled all my carefully positioned blocks right down on top of her! I started again and added quilting to the list of things Sarah needed to learn!

For this quilt, I added a gorgeous batik border and then a scrappy striped border with lots of my favorite fabrics. Fun. Easy. Lots of movement. Not at all juvenile. Perfect!

Again, backing and binding cut from a good quality, pre-washed flannel sheet. This one’s a binding fiddler, too!

Then I gave all the kids’ prints away!

In 2014, my friends at Intown Quilters had a birthday challenge to honor Kaffe Fassett, who designs some of my very favorite fabrics and quilts. The directions were simple and terrifying. Entrants were to choose one of Kaffe’s older quilt designs and update it, while also using some of Kaffe’s more recent fabrics. In a moment of wild optimism, I signed up!

I’m so glad I did! Let’s get the suspense over with up front. I didn’t win. Red seemed to be a popular theme among the lovely quilts that were recognized. Mine’s not so red. And it’s possible that I updated a bit much on the design side. But I learned a lot and wound up with a quilt I adore. Bill calls it the “winter” quilt for nights when we need two. I named it, “Behave Yourself, Barely!” in honor of a story Dr. Clarissa Pinkola Este’s tells about a favorite aunt of hers.

My fabric selections for this quilt were largely to coordinate with my first queen size quilt, “Autumn Log Cabin”.  Many are designs from Kaffe Fassett or Brandon Mably. Among my favorites are the purple Zinnia design and one of my go-to fabrics in several colorways of the Paperweights pattern, mixed with lots of dots.

I added an inner border of black and white micro dots and an outer border of a large scale, Asian looking floral. The backing is a wide width batik of larger black and white dots and the binding is the same black and white micro dot as the border. I much prefer random dot patterns to symmetrical dots. They’re way easier to work with!

I used a Hobbs 80/20 black batting on this quilt and washed it after finishing as described for my Liberated Wild Geese Quilt. Regina Carter did the wonderful long arm quilting.

You can find the “sunlight in the forest” pattern in Kaffe Fassett’s Quilts in Sweden, copyright Rowan Yarns, 2011.

I love this quilt! I started with a pattern called, “Geese in the Fields,” by Carolyn Griffin. The first sample I saw was very neutral, almost like grain fields in the fall, which makes sense but isn’t at all me.

First I picked the focus fabric—a fabulous, very feminine, spirited print from a line called “Aboriginal,” out of Australia. I’d fallen in love with it on sight so had several yards at home.

Then I decided to turn the geese into Gwen Marston-style liberated geese. Wild geese, in this case, as they are sometimes used as symbols for the Holy Spirit in Scottish spirituality traditions.

It was really coming together!

Then, I actually needed geese. Batiks in this case. Mostly jewel tones. It just makes me happy! Sewn flying a bit out of formation, as liberated geese surely would. The solid black is a linen and cotton blend, which I pre-washed as suggested by my Intown expert buddies. I don’t normally prewash and didn’t except for this linen blend, which was used for background, borders, and binding. There’s a dark spiral batik on the back, cut from a piece 108” wide. Hobbs 80/20 black batting. The finished quilt was washed with a gentle Seventh Generation liquid laundry soap and 4 – 5 “Shout Color Catcher” sheets*, then damp dried on low in the dryer and hung to finish drying outside. I like wrinkly quilts and this worked out just fine.

The quilt came out to be about 50×64 inches which is great for my chair quilt. Regina Carter did the long arm quilting and it’s gorgeous. Especially with the black linen blend, the texture is fantastic! I feel like a wizard! Both of my books were written curled under this quilt.

* I’m sure there are things in the Color Catcher sheets I don’t want to know about, including the fragrance. Everybody needs an exception to the rules and this is mine. It’s how I get my quilts to look like I want them to and it gets rinsed out, unlike dryer sheets. When I give quilts as gifts, especially dark or brightly colored ones, I include a box of these with a suggestion that they be used the first couple of times the new quilt gets washed.