Grammy’s Manicure

My nails, in this moment, are ragged and ridged and spattered in paint. Mostly purple, just now.

Along with some fabulous help from the kid next door, who is one of my painting buddies, we spent the day doing intentionally imperfect, texture-y backgrounds for a workshop called Holy Polka Dots which is coming up on Tuesday at Columbia Theological Seminary. The theology and physiology of a practice known as praying in dots. (No painting experience required!!!)

Depending on the weather the next few days, my hands will also be stained with organic garden dirt, for I have seeds to plant.

Today I was invited to a Passover Seder at my neighbors’. A rather large gathering of 30-40 people.

My first reaction was, What can I bring?

My second was, Do I need a manicure? 

The answer to the first question is still in conversation. Wine seems to be the answer. I’m also going to volunteer for chicken broth, assuming matzo ball soup, but I’ve never been to a Seder before so I’m not sure where that will lead!

As for the manicure, no.

I am an artist.

And a gardener.

A pretty talented home chef of the local, sustainably raised, food persuasion. (Which creates a truckload of dishes!)

And “mom” to three rescue Newfoundlands who eat raw food which means I spend a fair amount of time up to my elbows in beef hearts and other grungy things.

I haven’t had a manicure since my kids got married. Both times.

It’s not that I’m against manicures. Especially the massage part. It’s just that I mess them up way too fast to make it a wise investment of time or money.

And, I’m pretty sure G-d doesn’t care what my nails look like. (Though they may well be covered in India Ink and spatters of gold paint!)

What I’m excited about is joining together with our different (and not so different) traditions.

My granddaughters are Jewish.

I can do part of the prayers in Hebrew, which would be a huge surprise to my Hebrew grammar professor. I was prouder of that C- than all the A’s through all the degrees, and there have been lots of them!

On Thursday, the 18th, I will break the bread and dip it in the wine and remember Jesus, gathered in the upper room with his closest followers and friends.

On Friday, the 19th, I will gather with the Legendary Husband and my neighbors, including my  paint buddy, and a whole host of people I don’t know and eat the bitter herbs and listen to the stories and do my best to make the world a more united place.

The people of G-d have been on a journey for a very long time. There are candles to light and questions to ask and chicken soup to make (I think!). And when we do it together, I’m convinced G-d will celebrate.

Even if I did almost flunk Hebrew!

And, then, on Saturday, I will paint some more. Because art and chicken soup are ways to help change the world.

P.S. Thanks to the good folks at the Ace Hardware on Scott Blvd. for their generous discount on the paint! Eleven more canvases to go! Be sure to check back here for photos of our finished paintings!

 

 

 

 

Big Dogs Snoring and Tony Bourdain!

If I knew anything at all about digital music or how such a miracle comes to be, I think I could create the world’s greatest meditation recording.

It’s playing now, in the live version, as I write.

Yes, you guessed it! A trio of big dogs snoring gently in a unique chorus of peace.

(If you had a digital version, you might not still be freaked out from the big event of the evening in which the bass member of the trio urped his dinner all over the blessed rubber mat on the floor in the place formerly known as the breakfast room  and the resulting yuck involved in solving that problem!)

Please keep reading… it will get better, soon!

After all was clean again, I repaired to the magical chair, always willing to adjust to whatever my knees and back desire in the moment, and, deciding on a brief vacation after a major meeting with my new friend Barry at digital arts printing, summoned Netflix where I encountered Parts Unknown and the late Anthony Bourdain, mid-episode, in the Republic of Georgia.

I was intrigued.

Let me admit, before I go on, that my grasp of contemporary world geography is nowhere near adequate and I missed all of the 1980’s as a single mom earning four college degrees. Then, I spent the 1990’s enmeshed in church politics so it’s safe to say that I am in need of a bit more learning on many of these matters.

Tony, as was so often true, was glad to oblige.

Beyond quite the soliloquy on homemade hootch and something to do with chicken baked in a pumpkin, much of the conversation had to do with Georgia’s precarious geographical position, essentially between Europe and the former Soviet Union. Here’s the sentence that hooked me.

We wake up every morning and find out where we live. 

This I understood, for I heard the same stories when I was in Hungary, just before the former eastern bloc fell. I was, naively, I suppose, mind boggled by the notion of waking up to find out who had taken control of your country overnight.

Now, if you’ll pretend for a moment that it’s time for a commercial break, I will take you with me to the land of Shiloh Sophia and Intentional Creativity where we are painting about consciousness. We’re pretty much always painting about consciousness but it’s been particularly intense for me, having two CODEX paintings in process at once.

Basically, that means we’re painting about thinking about thinking. And, in the moment, we are allowing any of the things that may have been non-conscious historically, to become conscious if that is safe and helpful at this time.

We’re not really talking about consciousness in the sense of above or below but, if you want to paint it you have to have some way to represent the whole thing visually. The picture above, which you’ve seen other bits of before, is essentially an image of those things that are safe and helpful (though sometimes a bit unsettling) “rising” into awareness.

Now, let us return from our commercial break to Tony and the Republic of Georgia.

First, the big flash for me. (It’s ok if you’re ahead of me here. We all learn when we’re ready.)

You don’t have to live in the former Soviet bloc, or in a tiny country between Europe and Russia and parts of the Middle East to wonder who will be in charge when you wake up in the morning.

It’s just as true in the United States of America.

The thing that really blew my mind was the hopefulness of my new TV friends in the Republic of Georgia.

We’re hopeful, I heard most of them say. What else can we be if we want a better future? 

And, somehow, because of the place where inviting new consciousness meets embodied memories of eating and drinking and dancing with old friends in Hungary, I suspect I will be more hopeful, as well.

And busy making prayer dots. Wearing, I might add, my Fiercely Compassionate Grandmother tee-shirt! My girls are growing up in this country!

For now, warming a bowl of really good soup and wondering where Tony is headed next.

PS… Just in case you’re curious, where Tony went next was Senegal, where a native leader said: This world is going to be a better place when more cultures are actually given a chance to be put at the table. And, after a few bites of lamb, Tony responded, Democracy, as it happens, requires regular maintenance, diligence, and a willingness to stand up. RIP, Tony.

WIP Wednesday… this week!

In the land of Intentional Creativity, Wednesdays are Work-in-Progress days. A time to reflect on where we are and, often, to share a glimpse with the community.

In the land of Sue, Wednesdays are also blog days.

I have this apparently bizarre notion that I will leave space in my calendar so that getting a blog done doesn’t wind up feeling rushed or exhausting.

Sometimes it works!

Sometimes, though, Wednesdays come after rather intense Tuesdays.

Yesterday’s Tuesday was great in the sense of good friends and lots of painting. And hours of leaping the studio angels! I got pretty tired in a good way, but tired all the same.

This morning, when I noticed all three dogs laying in the hallway, I decided to wander through the studio to the kitchen in search of one of my favorite sunny yellow mugs with lemon and hot water.

(I hate to admit it, but I’m sleeping lots better since I’ve backed way off the tea again!)

The face in the painting pictured above was basically the last thing I saw last night and the first thing I saw this morning. Fortunately, the light was good for getting some photos just then.

I often see something new when I look at my work through the eye of my camera.

This time, I realized that I had been dreaming about her.

Some of you will recognize her as my Codex painting, moon 7-9. For the rest of you, she’s almost 7 moons finished in a 13 moon journey with a world-wide group of artists. The tricky part???

We have no idea what comes next or where the paint journey is going. (Though I suspect the inner journey won’t actually end!)

Here’s what I can tell you. The face you see represents the inner Observer we all have but aren’t necessarily well acquainted with. Her job is to give us a place outside our old stories and immediate experience from which to watch what’s unfolding. Rather, as I’ve always imagined, like an owl in a tree. To notice and wonder and, perhaps, to learn new and helpful things for understanding where we are and envisioning where we want to be.

From the unknown consciousness where myth and imagination live, through what we were taught to be, often in order to exist, in whatever enmeshed systems we encountered, to the personas we became, to the crafted, or curated, beings still developing from our experiences and intentional choices, our Observer helps us to see more clearly and choose according to our deepest, and ever-shifting, awareness.

I met my Observer 20 or so years ago in my hypnosis and neuro-linguistic programming journey.

Now, with the brilliant help of Shiloh Sophia, Jonathan McCloud, and the Intentional Creativity community, it feels as though she has moved from high in the tree to deep inside me. It’s amazing!

Last night, she surprised me yet again with her insistence on the bright yellow drips of paint that surround her.

What do they mean? I’m not totally sure yet but it feels like it has something to do with busting out of the box! (And something this Grammy needs to spend some time contemplating!)

For this moment, while my friends, imaginary and real, are hopping up and down to join the conversation, Sarah would like you to know that she was very, very cooperative for her chiropractic treatment today and that Luther made it back into the library to hang with Maren, our new dog Auntie. Phoebe, of course, showed up too, hoping for treats even though she didn’t have to twist and pop.

I, on the other hand, had the odd sense while we were working that a portion of my Observer’s wisdom lives in these three dogs. (This is not official teaching… just truth.)

For now, we all took a vote and decided that a nap was in order. Sarah’s taking hers in the bathtub!

 

 

Digging into the Past and the Future

Dearest all,

This is one of those posts that is both literal and metaphorical. On the surface, it is about painting. Beneath (or above) that, it is about… well, you decide!

The “stunning” artwork pictured above is my beloved practice canvas. It started out very early in my Intentional Creativity journey as a small painting of something I couldn’t make work. It made me feel frustrated and inadequate and in way over my head.

And then, somewhere, one of my paint sisters posted in one of our Facebook groups about her practice – or compost – canvas. A place where she went to doodle and plant seeds and see what would happen if…

I was so new that I hadn’t begun to sort out names or initials or who belonged where or to whom.

All I knew was that the frustrated, shaming, blaming embodiment of what felt like failure was redeemed!

That 18×24″ level 2 canvas became my compost heap. (This from a gardener who does a lot of composting!)

I tried out colors and brushes and glazes. How to write in Greek (with a toothpick) or Hebrew (with a stiff liner brush). How to make dots, and collage (which I’m still working on) and what different brushes will do.

No shame. No blame. Just layers and layers of learning.

Pretty soon there will be so many layers that it will seem to be a level 3 canvas!

Contemporary astrological glyphs. (Who knew???)

The dry, scrubby brush things that bring streaks of light – and life – to whatever you’re painting.

More dots. More glazes.

And all of it, layer by layer, teeming with new life out of old stuff that might not have worked or has given it’s obvious gifts.

It works for writing, too.

And soup, in a different, way less germ-y sort of way.

It also works for trying new things, bringing me face to face with proof that I’ve been building this life all my life.

This is what I wish for my girls. And our world.

And for you, new COW and Muse sisters, and all of you just finding your way into the magical realms of Intentional Creativity or quilting or apple pie or music or quantum physics.

If, perhaps, you are a painter, get yourself a practice canvas. Possibly one that you have that just has never clicked. Or maybe a new one. (Michael’s is having a big sale!) Pick a size that feels friendly. Even one like mine that you can hold like a sketchbook if you need to.

Paint an intention on it, for it is a real part of your journey. And then just play with a couple of layers of color and glaze. Make friends with it.

And when your garden, of whatever sort, needs a bit of a boost, turn to it for energy.

It will help you bloom!!!

ps…. if you’re intrigued but not sure you’re a painter, check out https://events.intentionalcreativityfoundation.org/red-thread-guide/ for information on becoming a Red Thread Circle guide… class starting really soon!!!

 

 

 

Working With…

One of the basic principles of Intentional Creativity is that the leader is working on her own work while the participants are working on theirs.

This is essentially the opposite of the old notion of psychotherapy which went something like There are two of us in the room but only one of us has any junk!

One of the things I learned in leading my early workshops was that it is not as simple as one might suppose to talk and paint at the same time! Of course, silence has its hugely useful place but if one is demonstrating, some commentary is useful.

At the same time, my Color of Woman sisters and I are also listening and observing and adapting to what we hear and see as our own work unfolds. Just as we’re encouraging our participants to do.

Claim an intention and then let go of expectations and the tyranny of talent.

Experience. Learn. Right there in the room. Be surprised!

I believe. Help, thou, my unbelief. 

Yesterday was one of those fake it ’til you make it days!

My young friend was over for our weekly painting time, which usually includes a lot of rolling on the floor with the dogs and emptying of squirt bottles.

I started by asking for his help with a particular project.

Luther’s still having a bit of trouble adapting to our recent game of Furniture Yahtzee. And Luther loves the kid next door. So we began our conversation in what is now becoming known as the library. Luther hadn’t quite managed to make it in there yet.

I think the vibes are lots better, but Luther has remained skeptical.

One kid parked in a recliner chair changed all that in about 2 minutes flat and then everybody was, as is the norm, rolling on the floor and rubbing bellies.

Luther was brave. And a certain young man was pretty pleased with his contribution.

Then, it was time to paint.

My buddy was painting away, flames in the area of his canvas labeled anger.

Sometimes he and I do the same thing. Sometimes we don’t. Yesterday, to give him a bit of privacy, I was trying to do some selective glazing on Our Lady of Living Waters.

My first effort was, shall we say, less than entirely successful. As was the second and the third.

Every now and then, I made a comment about how it wasn’t working out just the way I wanted, but I could try again, while James Taylor kept us company in the background.

Then I showed him how I was experimenting on the edges to see what might work better.

He asked if I was angry.

Gulp! I replied that I was not. Or maybe just a little frustrated. Mainly, I was  curious about what would work.

The great thing about acrylic paint is that you can always paint over it!

And curiosity is well known amongst many of my gurus as the primary mindset for learning!

Eventually, the time came to finish for the day. He was planning a bit of touch up work for next time when the paint would be dry.

I had figured out what the next right thing would be for my glazing challenges.

Admittedly, it felt a bit vulnerable to gently share my struggles while not interrupting his journey.

And then, after petting all the beasties goodbye, his parting comment:

We learned! 

So be it. Please.

ps… Many of you prayed with me for a dear friend recovering from a heart attack. My work-in-progress painting prayed, too, offering a hand raised in blessing and lots of space for dots. Dip. Life. Life. Life. Life. Dip. Repeat… He’s doing great. Hallelujah!!!

 

Through the Eyes of the Observer

If you’ve been reading along for a while you know that Bill and I play a lot of an old game we call Furniture Yahtzee. I sketch. He moans. I’m solving problems. (At least in so far as possible in the moment.) He’s being supportive. On a relative scale, Cribbage has it’s advantages!

Here’s the thing. Bill and I live with three enormous dogs in an early 1960’s brick ranch with more than half of the house in the basement. The dogs and I aren’t so good at stairs. We also run at least three businesses out of this house, raw feed the dogs, and boil bones in a huge cauldron, often.

This was, apparently, not what the builder, in Leave it to Beaver time, was imagining.

Historically, our adventures have included moving the bookcases over here and the sewing table over there. Or moving the bed from this wall to that, depending on what Feng shui book I’d been reading at the time.

This weekend, we’re swapping the small third bedroom in the front of the house, which has most recently been our family room/my study with our comparatively large bedroom in the back. That means enough room for a queen sized bed and a couple of night tables (plus three dogs on a rug) in the front and an actually functional library in the back with room for writing, making art demo videos, lots of books, and massive rubber mats for the three enormous dogs.

We’ve done much of the work ahead of time. Well, enough of it to actually be able to move the furniture. The paintings are all off the walls so they don’t get bashed which is no biggie as most of them need to be re-hung anyway but it looks surprisingly bland in here right now.

Blessedly, we have strong friends coming to help!

Luther’s going to be a bit weirded out but will actually have more open space as soon as he gets used to it. We’ll put a lead on and do a tour just as soon as the big pieces are moved.

This is nothing if not a massive Intentional Creativity project!

What are we trying to accomplish?

What do we have to work with?

And do we care, anymore, what it’s “supposed to” look like?

No.

We care that a side effect of this game will be more room for our kids to visit. And a bit less stress. And, perhaps, even enough space to catch up with my Giddyup class!!!

I need one more rolling chair for painting, possibly one more shop class bookcase from my friends at Kudzu, and, I suspect, a couple more big rubber mats. I am nobly waiting to actually measure before I start shopping!

Oh, and did I mention that we need to be able to deal with soup and a Codex paint buddy by, you know, Monday???

Honestly, it’s exhausting.

And also oddly empowering.

Making what we need, mostly out of what we have.

For now, though, pulling sheets off the bed, crossing my fingers that the dog food is thawed, and being as ready as possible for our helpful friends to show up.

All the while, remembering my dear cousin, Chris, and all the family and friends gathering in Florida this afternoon to hug each other and tell the old stories.

If she were still with us today, she’d tell us to make the most of what we have while we can and live the lives we feel called to.

(Chris was good at Furniture Yahtzee, too!)

Oh, today I ordered a canvas to paint “our” farm. I’m hoping it will help tell the stories my girls and all the generations of grands and great grands and on and on need to hear. It’s the life I feel called to.

ps… the photo is the Observer from a 13-moon painting called Codex. (Give it a minute!) It is, essentially, me seeing me. What do you see when you see you?

 

 

 

 

Very Brave Dog

When I was a kid, I remember my Mom and my Granny laughing themselves silly over the writings of Erma Bombeck. Erma was an American humorist, syndicated columnist, and author of 15 books.

She wrote about midwestern suburban home life from the mid 1960’s to the late 1990’s.

I lost track of Erma toward the end, perhaps because in the 1980’s and 1990’s there was nothing much in my life that resembled midwestern suburban housewives.

I do, however, come from a long line of women just like that and I speak the language. I get the jokes. I’ve even eaten lots of the recipes. There may even have been one for tuna-noodle casserole with crushed potato chips on top. (Sorry, Bill!)

Yesterday, as I sat with Luther and our dear Auntie Kate in the ophthalmology exam room of the “specialty” veterinarians, Erma came to mind.

We were chatting, Kate and I, about dogs we’ve loved and how much I appreciate that she and the gang at Jabula Dog Academy love my herd, too.

(Deep breaths, everybody… “Freddy,” as the old camp nurse saying goes, “is fine.” Or, in this case, Luther.)

I was pretty certain, though, as we waited, what the questions were about to be.

Kate observed that Luther was my heart dog and an article from Erma Bombeck popped into my mind.

(Academic that I am, I tried to look the exact quote up, but I’m Hearth Tending today, the girls just got home from Camp, there’s a Journeywoman meeting in about 15 minutes and a Codex buddy coming at 5:00. And I have to feed the beasties in the middle. So, for today, here’s what I remember, which is, in many ways, the real quote anyway.)

Erma wrote that somebody once asked her if she loved all her children the same.

Surprisingly, from a wonder mother with the good sense of humor, the answer was, “No.”

“The one I love the most,” she went on, “is the one who needs me the most in the moment.”

This may work the same way for grandchildren, too!

Let me say again, “Freddy is fine!” Luther, however, who is blind and had been missing his security sisters for about a day and a half, is going to need eye surgery. Relatively soon.

That means more strange places and more strange people and oddly missing sisters for a couple of days.

Which will kind of leave me solo seeing eye being. And Luther needing a little more love than usual.

You all are invited to join in! Bless his heart, he loves everybody!!!!

And please feel free to make dots!

IMG_5117

While you’re making dots, a few for my teacher, business partner, and very dear friend, please. He had a heart attack and is recovering from procedures in the hospital.

As Wednesdays go, this has been a long one!

 

 

 

Sue Boardman, Certified Intentional Creativity®
Color of Woman Teacher & Coach